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A blue cube sits on a concrete surface next to a vehicle. It features the white text “Talbott & Arding” and a large ampersand logo. To the right, a smaller photograph shows five people sharing a meal at a table outdoors.

Identity for Talbott & Arding emphasises the gourmet in graphic design

Richness and simplicity were the guiding principles for the cheese and provisions shop in Hudson, NY.

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Date
11 April 2024

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Apart from a singular commanding ampersand, Jessi Brattengeier wanted the branding for Talbott & Arding to look composed. The ampersand, which, among other concepts, references the collaboration between the provisions shop and local farmers and makers, would feel more impactful when it breaks through the system if the rest of the identity was stripped back. Jessi, design lead on the project and creative director at The New York Times, also knew she wanted long-time collaborator Vivian Dehning to design the shape: “When I received the brief for this project from Superhyve, I immediately thought of Vivian’s elegant lettering work,” she says.

The idea of elevated quality, after all, is a core aim with this rebrand. The entire identity for Talbott & Arding is focused on capturing the traditional techniques found in the Hudson Valley, a locale known for its farms, vineyards and produce, and Talbott & Arding’s home. “We wanted the new identity to feel just as crafted,” says Jessi.

The tone touches upon two distinct notes. A very serious sense of composure is established through the rich blue, which has been updated to be deeper and is paired with supporting creamy neutrals. But there’s also a quainter sense of place established, specifically in photography.

An animation in which a black ampersand morphs its shape against a deep blue background. Small text at the top edges reads “Talbott & Arding” and “Ampersands”.
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Jessi Brattengeier: Talbott & Arding, lettering Vivian Dehning, brand lead Superhyve, brand strategist Rebecca Van de Sande (Copyright © Talbott & Arding, 2024)

“We wanted Talbott & Arding to feel like a distinct mix of French/English countryside (where the founders are from) and the Hudson Valley (where they work with farmers to produce their cuisines),” says Jessi. Here’s where the personal touch comes in, which is also intrinsic to the gourmet experience. Everything from “archival picnic photographs” to the work of Irving Penn became an influence, with Jessi and the team looking into films where “people gather around tables to eat” for reference. Some of these images are used directly in assets, offsetting the stillness with warmth.

Further proof that the project was guided by feeling – Jessi and Vivian listened to one playlist while designing, a mix curated for the brand. Whether graphic design can be influenced by the wider environments that touched it along the way remains to be seen, though that seems to be the direction here, and is perhaps a pleasant mirror to the way produce is formed by weather conditions, growers and other unseen forces.

GalleryJessi Brattengeier: Talbott & Arding, lettering Vivian Dehning, brand lead Superhyve, brand strategist Rebecca Van de Sande (Copyright © Talbott & Arding, 2024)

A person holds an open book against a dark blue velvet sofa. The left page features a circular image of colourful dried flowers, while the right page contains columns of text.
A black and white photograph of people having a picnic on a grassy bank beside a river. A small boat is moored in the water behind them, overlaid with three large, white decorative ampersands.
A split image showing branding for “Talbott & Arding”. On the left, a blue business card rests on a white tablecloth beside a glass plate. On the right, a person holds a matching blue coffee cup.
Five Instagram stories for Talbotbottarding. The slides feature close-ups of baked goods, a person carrying a bag of produce, and a blue screen listing “Holiday Hours of Operation”.
A person seen from behind wears a pale yellow T-shirt and a dark blue apron. The back of the shirt features the text “Talbott & Arding” in a bold, black serif typeface.
A person in a blue shirt holds two long baguettes, biting into one of them. A child and another person stand behind them in a bakery. The image is overlaid with a grid of decorative ampersands.
A 3D render of packaging for Talbott & Arding. On the left, a white box for “Chili Honey” features a small illustration of a chilli pepper. On the right, a cardboard box for “Organic Crackers” is wrapped in a blue band with the brand name and a large ampersand.
A close-up of black serif text on a deep blue background. The words include “Recipes”, “Coffee Beans”, “Pasteries”, “Cheeses”, “Produce”, “Jams”, “Baked Goods” and “Catering”, separated by ampersands.
A blue tote bag with a large white ampersand graphic leans against a terracotta pot. Beside it, a jar of “Chili Honey” by Talbott & Arding features a dark blue label.
The exterior of a Talbott & Arding store with a plain beige wall and a purple awning. To the right, an open doorway reveals a bright interior with wooden shelving and a person behind a blue counter.

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Jessi Brattengeier: Talbott & Arding, lettering Vivian Dehning, brand lead Superhyve, brand strategist Rebecca Van de Sande (Copyright © Talbott & Arding, 2024)

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About the Author

Liz Gorny

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Liz (she/they) is the senior editor at Insights, a research-driven department within It’s Nice That. They previously ran the news section of the website. Get in contact with them for potential Insights collaborations or to discuss Insights’ public-facing reports.

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