Liz Gorny

Liz (she/they) is associate editor at Insights, a research-driven department within It's Nice That. They previously ran the news section of the website. Get in contact with them for potential Insights collaborations or to discuss Insights’ fortnightly column, POV.

Liz’s top picks

A few of Liz’s favourite articles from the past few months.

Photographer Female Pentimento is helping the internet access new worlds

POV: Is it the designer’s responsibility if an app is addictive?

Offal is a zine designed by Richard Turley and Julia Schäfer using Microsoft Word

13 February 2024

A decade spent staging stories on the farm with Roland Icking

All 812 articles

POV: How valuable is the obscure creative reference?

3 December 2024

POV: The illustrators aren’t alright

Unsolicited pastry store ad celebrated by World Illustration Awards

11 September 2024

POV: Is the ‘brand namer’ the new graphic designer?

4 September 2024

POV: Cinema isn’t dying; we’re Letterboxd list-makers now

How Figma built the identity for its mammoth design conference, Config

From Con Air to Oppenheimer, we chart the evolution of the bro movie poster

Ming Hsun Yu uses graphic design and art to ask questions, seeking “constant joy”

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A24 zine celebrates the extravagance of old multiplexes – especially their carpets

The original style guide for DC Comics characters surfaces for the public

The next phase of interface design? How AI could streamline the way we use our devices

Dani Coyle on art directing for Burberry, the death of “social-first”, and TikTok toast

POV: Why the rush for a new creative social media is leading us nowhere

The illustration library for Trivago is influenced by 00s animated sitcoms

Blinkink and BBC’s jam-packed Euros spot begs the question: what’s the benefit of Easter eggs?

Fantasy-lover Daytona Mess is beating the final boss: text typefaces

Hato sharpens Capture One brand with typeface based on lenses

Primark (very lightly) rebrands with tweaked logo and graphic portals

Benjamin Artola’s paintings present a world without humans

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The Asda rebrand features fruit stickers and an unexpected approach to typography