X-Rated Adult Movie Posters of the 60s and 70s celebrates gloriously crude B-movie artwork

Date
17 August 2017

A new book collating 350 retro posters, pressbooks and stills from the “golden age” of porn cinema is being published by Reel Art Press. X-Rated Adult Movie Posters of the 60s and 70s by Tony Nourmand and Graham Marsh celebrates the unashamedly crude, cut-and-pasted collage artwork made to promote these B-movies and their provocative titles such as Flesh Gordon and Come One Come All.

The book includes text by author and journalist Peter Doggett, who comments: “For connoisseurs of the film poster, porn cinema offers an alternative history of the 1960s and 1970s. Few people ever turned to exploitation movies in search of subtlety: the task of the X-rated graphic artist was to arouse urgent desires that could only be satisfied by a seat in the stalls. Their designs required no decoding.”

The images range from the crass – see the cartoonish illustration for Back Seat Cabbie filled with black-and-white collaged stills from the films’ lewd scenes – to psychedlic (Smoke and Flesh) and attempted sophistication – see the moody shot of a woman holding a banana for Appetites. It also includes artwork from “soft-core masterpiece” Emmanuelle (1974) made by an “original Mad Man” and respected designer Steve Frankfurt, though this high-calibre work was rare, says Peter.

“Variations on the same glamour-mag approach – women, breasts, buttocks – were routine, with pictures and typography that often looked as if it had been thrown at the poster rather than artfully arranged.” 

X-Rated Adult Movie Posters of the 60s and 70s is an expanded and re-curated edition of Nourmand and Marsh’s decade-old book, and is released is September 2017, available to pre-order now.

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Jenny Brewer

Jenny is online editor of It’s Nice That, overseeing all our editorial output. She was previously It’s Nice That’s news editor. Get in touch with any big creative stories, tips, pitches, news and opinions, or questions about all things editorial.

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