Feeling brave? Enter the uneasy world of illustrator Wenjia Wang

Using a blend of traditional and digital techniques, the New-York based illustrator’s pieces have a distinctly unnerving edge.

Date
19 October 2022

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At first glance, Wenjia Wang’s pieces look like inviting, warm works of art. This is intentional, as the illustrator uses what she describes as a “bright, refreshing and tender” colour palette. But, if you look a little closer, you may find yourself thinking again; fingers glide against razor sharp wires, tongues are impaled by microphones and poisonous looking bugs bite into a naked foot. This is because Wenjia wants to “shock” her audience, tricking them into thinking her work is frivolous, before then adding a layer of uneasy storytelling.

Born in China, Wenjia moved to the US when she was 17. From a young age, she practised traditional Chinese calligraphy – a fundamental in Chinese ink brush painting. Now the technique plays an important role in informing Wenjia’s penchant for the “ink-like”. Having graduated from New York’s School of visual arts and Fashion institution of technology, she currently works as a freelance illustrator, completing work for both independent musicians and galleries plus big clients like Huawei.

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Wenjia Wang: Papercut (Copyright © Wenjia Wang, 2022)

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Wenjia Wang: Public Speech (Copyright © Wenjia Wang, 2022)

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Wenjia Wang: Spicy addiction (Copyright © Wenjia Wang, 2022)

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Wenjia Wang: Pollen allergy (Copyright © Wenjia Wang, 2022)

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Wenjia Wang: aching void (Copyright © Wenjia Wang, 2020)

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Wenjia Wang: aching void (Copyright © Wenjia Wang, 2020)

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Wenjia Wang: Eye-pressure under digital monitor (Copyright © Wenjia Wang, 2022)

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Wenjia Wang: dead silence (Copyright © Wenjia Wang, 2020)

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Wenjia Wang: Phone-ring Fobia (Copyright © Wenjia Wang, 2022)

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Wenjia Wang: Academic pressure (Copyright © Wenjia Wang, 2022)

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Wenjia Wang: Unreachable itchiness (Copyright © Wenjia Wang, 2022)

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About the Author

Olivia Hingley

Olivia (she/her) is associate editor of the website, working across editorial projects and features as well as Nicer Tuesdays events. She joined the It’s Nice That team in 2021. Feel free to get in touch with any stories, ideas or pitches.

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