Sit back and enjoy the calming compositions of Mila Fan
The graphic designer-cum-illustrator talks us through her inspirations, most of which are centred around food, objects and her own identity.
One of Mila’s biggest hurdles as a creative so far is that she graduated just before the pandemic. A tricky time for all – especially those just starting out – the job hunting process was made much harder. But this didn’t stop her from pursuing her passion: “It forced me to have a creative routine.”
Originally from Urumqi in western China, Mila moved to the UK 14 years ago. She gained a degree in Aberdeen and a master’s at Kingston School of Art, followed by a graphic design course at Shillington in London, where she’s now based. During her MA, she took on a role as house team leader at Camden Art Centre for a few years – “a friendly and creative environment with loads of activities and courses in which you’re constantly surrounded by art”. This kickstarted the motivation she needed to take on her own freelance jobs, plus a handful of curatorial projects on the side. “I’ve been doing bits and pieces really, just trying to work out what exactly it is that I want to do, and I think I’m nearly there.”
Despite the challenges, Mila has now landed on her feet as a freelancer. She’s developed a style that’s consistent and calming, where graphic illustrations are infused with pastels tones and minimal, “uncluttered” compositions. Usually, her works are swathed in a soft background colour – like a baby blue or beige – which sets the tone for the busier centrepiece. The subject matter for these tend to vary and it can be anything from a person jumping into a colourful hole, an artichoke head, some fish or a group of people walking about. Whatever it is she’s depicting, it will always link back to her own personal history in some shape or form. “Identity is an overarching theme,” she tells It’s Nice That. “My work is often playful and light-hearted. I somehow always end up exploring identity indirectly via food, as well as everyday aspects of a culture, especially my own.”
Inspiration can arrive in many shapes and forms. For Mila, it’s the miscellaneous bits and bobs she collects throughout the day: supermarket magazines about food, labels and packaging. And once she finds these objects, she’ll then work them up into a collage to get an idea of the composition. “Sometimes putting two unrelated images together would guide me to think differently,” she explains. The next part of the process can either be solitary or collaborative – the latter being something she grew fond of during her time at university.
For example, in her recent project Lockdown Series, Mila worked with her friend Chloe on a series of posters. Each poster was themed on a word, sourced by either of the creatives. “It could be in a book that we are reading, something we heard – anything,” adds Mila. the other person would respond to the word like a brief, going back and forth in making little amendments. “It’s like playing a ball game that leads to a really organic, unpredictable response,” she says. Other projects include Still Life Series, a collection of drawings made by those following @Stillherestilllife; and Bun Series, a project made with Saku Ying. “She makes the most delicious looking food and we decided to do a buns series together in which I created a poster based on her recipes and photographs.”
Mila’s portfolio is undeniably pleasing, and we hope you’ll take a moment out of your day to sit, relax and enjoy them. “I think that maybe there is a certain stillness to my work,” she adds, “a quiet space within the composition that people might enjoy some way.”
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Mila Fan: Still Life Series II (Copyright © Mila Fan, 2022)
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Ayla is a London-based freelance writer, editor and consultant specialising in art, photography, design and culture. After joining It’s Nice That in 2017 as editorial assistant, she was interim online editor in 2022/2023 and continues to work with us on a freelance basis. She has written for i-D, Dazed, AnOther, WePresent, Port, Elephant and more, and she is also the managing editor of design magazine Anima.