Repetition and continuity seem important to New York-based sculptor Michael DeLucia. With pure geometrics and random iteration, Michael takes industrially-produced items and gives them some sculptural integrity, making them, in effect, totally useless. It’s a winning body of work, the artist being totally unafraid to remove all context of the object, playing instead with the sculptures’ scale, deceptively-simple compositions and the multiplicity that abstracts them.
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Bryony was It’s Nice That’s first ever intern and worked her way up to assistant online editor before moving on to pursue other interests in the summer of 2012.