Lucas Foglia's breathtaking images glimpse into America's 'off-grid' communities
The “back to the land movement” families and communities of modern America are some of the least-documented elements in the make-up of modern capitalism’s heartland. Their rejection of contemporary technologies and lifestyles in favour of a more natural, perhaps primitive, existence is so at odds with the USA’s ideals and objectives that you’d struggle not to be fascinated by the manner in which these extraordinary folks choose to live.
Lucas Foglia spent his formative years living in one such community and since 2006 has returned to his roots to document the lives of other ‘off-grid’ inhabitants in their day-to-day activities, armed with nothing more than a camera and his camper van.
The resulting images, A Natural Order, offer a breathtaking documentation of an anachronistic American populous, living outside of both modern society and a specific historical timeframe. Rendered in colours evocative of the rich palettes of the Flemish masters, Lucas’ images allow us a fleeting glimpse of a world we could never hope to know fully but are delighted to stare at in wonder all the same.
A Natural Order will be on show at the Michael Hoppen Gallery from November 9 until December 1.
Lucas Foglia: Cora Aiming, Tennessee
Lucas Foglia: Woodcutting, Russell Creek Community, Tennessee
Lucas Foglia: National Geographic, Wildroots Homestead, North Carolina
Lucas Foglia: Scarecrow, Tennessee
Lucas Foglia: Andrew and Taurin Drinking Raw Goat’s Milk, Tennessee
Lucas Foglia: Homeschooling Chalkboard, Tennessee
Lucas Foglia: David in his Wigwam, Kevin’s Land, Virginia
Lucas Foglia: Cora and Wesley, Tennessee
Lucas Foglia: Lunea with Deer Rib, Kevin’s Land, Virginia
Lucas Foglia: Venison for Canning, Tennessee
Lucas Foglia: Family Portrait with the Photograph George Took of Christina at their Wedding, Tennessee
Lucas Foglia: Acorn with Possum Stew, Wildroots Homestead, North Carolina
Share Article
Further Info
About the Author
—
James started out as an intern in 2011 and came back in summer of 2012 to work online and latterly as Print Editor, before leaving in May 2015.