Launch Recite Me assistive technology

Typography

All 1819 articles

Daryn Roongrawewan doesn’t design logos, she crafts “ornamental icons”

Koto revives an 80-year-old wordmark to rebrand Norton Museum of Art

Work
Art
...

How does contemporary type design translate into the wider world? Type01’s Amber Weaver shares her wisdom

Why design studio OnePlus treats branding like cultural excavation, not invention

Ey Studio avoided ‘gourmet’ trends for something more authentic to rebrand Italy’s most iconic panettone

How do you design youth? The Young Vic’s new logo uses motion blur to flip dated theatre branding

A tobacco factory turned restaurant, Nikotin’s logo takes the shape of a cigarette

How Bayeux Tapestry inscriptions and folklore brought handcrafted warmth to the Hastings Castle branding

The designers injecting DIY charm into Pigeons & Planes’ annual mixtape

What makes a branding system sustainable? For Stoëmp, it’s rooting it in something deeper than style

Hellcare Regular is a typeface that parodies the cryptic chicken-scratch of doctor’s handwriting

Benjamin Tuttle spent years designing for a Brooklyn microcinema – it all led him to Netflix’s Beef

Samar Maakaroun’s visual identity for The Mosaic Rooms challenges reductive narratives around Arab identities

Addison Copas doesn’t want “freedom” – he thrives under the limitations in his wordmarks and brand identities

Hotel Retro revives graphic luggage labels from the golden age of travel

This little book is a design archive of the most delicate memento – the Spanish napkin

The grid system in Praktika’s new architecture identity takes inspiration from Lithuanian floor tiles

Yee Hawr: horsegiirL is the new long face of Dinamo’s half sans half serif experiment in type design

Kelli Anderson, Parallel Press, Noble Signs and Angela Lian: Tickets now available for June’s Nicer Tuesdays in New York!

Templo’s brand identity for climate non-profit Casi draws on the pragmatic mark-making of hieroglyphics