Stacey Rozich is back with reams of beautiful watercolour updates
We’ve heard nothing from Stacey Rozich since the middle of 2011 save for that mammoth collaboration with Sean Pecknold on Fleet Foxes’ exceptional The Shrine/An Argument. So where’s she been hiding all this time? In a forest populated by mystical beasts adorned with ornate head-dresses? Hanging loose with skateboarding alligators? Waltzing with a gun-toting ghost? No, none of these things; she’s been slaving away at a desk somewhere in Seattle making exuberant, vivid illustrations that feel like dream sequences in the finest Haruki Murakami narratives. In between all this drawing, she’s found just enough time to get a new website up and running ,where you can revel in the products of her skilful, practised hands.
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James started out as an intern in 2011 and came back in summer of 2012 to work online and latterly as Print Editor, before leaving in May 2015.