British artist Paul Winstanley creates paintings that appear on the edge of a quiet action – hovering somewhere in between photographic ambivalence and the labour-intensity of a painting. He works from his own photos, captured in public and featuring time-significant yet generic places – that is to say ante-spaces and waiting rooms – he then transforms them into private and ethereal moments.
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Bryony was It’s Nice That’s first ever intern and worked her way up to assistant online editor before moving on to pursue other interests in the summer of 2012.