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A uniformed officer wearing sunglasses stands in the foreground, looking directly at the camera. Behind a wire fence, a large group of people in white T-shirts sit and stand in tiered rows.

Patrick Simpson photographs a different side to prison life

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Date
19 April 2012

It’s difficult to know what prison is really like until we actually decide to commit a crime and get in big trouble for it. Luckily for us photographer Patrick Simpson has saved us from that by giving a rare glimpse into Angola Prison in Louisiana. Different to other insights into prison life, his series focuses on the model inmates of the prison called ‘trustees’ and the arts program ‘Hobby Craft’ that involves painting, wood and leather working, taxidermy and furniture building, set up as part of their rehabilitation.

The pieces of work made by the prisoners are sold to the public at the prison’s annual rodeo and art fair as seen in Patrick’s photographs. The money raised is then split mainly between inmates’ families and prison administration, with the inmates themselves receiving a small amount to buy more materials for the next fair encouraging a steady work ethic.

However, around 90% of the prisoners have life sentences and will end up being laid to rest in a place called “The Farm”, so it’s sad to realise that this rehabilitation won’t actually be able to benefit them in the outside world. This is sentiment is reflected in Patrick’s photographs with their honesty and bleak aesthetic, but there’s still a sense of quiet proudness from the prisoners in the photographs from the work they’ve produced. The photographer shows them as real people, and while the concept of a model inmate is a little jarring, it demonstrates that perhaps programs like this can do some good in a not so good place.

A person stands in an art studio, surrounded by several framed paintings of houses and street scenes. They wear a grey sweatshirt and look directly at the camera.
Above

Patrick Simpson: Angola

A taxidermist sits in their workshop, surrounded by animal mounts and tools. A variety of deer antlers line a shelf behind them, while a duck in flight stands on a workbench in the foreground.
Above

Patrick Simpson: Angola

Five people stand in a dirt arena, seen from behind. They wear black and white striped uniforms with “Angola Prison Rodeo” printed on the back.
Above

Patrick Simpson: Angola

Two people stand in a workshop behind a large, polished wooden coffin resting on sawhorses. An “Exit” sign hangs above a white door in the background.
Above

Patrick Simpson: Angola

A person with a thick white moustache stands in an art studio, wearing a light blue shirt and a white lab coat. They are surrounded by various paintings, including a large work behind them depicting a figure on horseback.
Above

Patrick Simpson: Angola

A brown and white bull charges at two people in a dirt arena. One person has fallen to the ground while another lunges forward, both wearing black and white striped shirts. In the background, a crowd watches from a covered grandstand under strings of colourful bunting.
Above

Patrick Simpson: Angola

A person stands in a cluttered art studio, holding a framed painting of a stylised face. The studio is filled with canvases, paint pots, a white fridge and a black armchair.
Above

Patrick Simpson: Angola

Three people in white shirts stand behind a chain-link fence. In the foreground, several realistic fish sculptures are mounted on wooden bases.
Above

Patrick Simpson: Angola

Two people wearing white cowboy hats and black and white striped shirts at a rodeo arena. One person sits on a white fence drinking from a cup, while the other leans against the railing.
Above

Patrick Simpson: Angola

A person sits in a leather armchair within an art studio, looking towards the camera. Beside them is a large, stylised cutout of a tiger’s face with orange eyes.
Above

Patrick Simpson: Angola

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About the Author

Rebecca Fulleylove

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Rebecca Fulleylove is a freelance writer and editor specialising in art, design and culture. She is also senior writer at Creative Review, having previously worked at Elephant, Google Arts & Culture, and It’s Nice That.

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