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An illustration of two people talking on a green metal fire escape. One person leans in towards the other, who sits on the stairs wearing a black top and an orange skirt.

Luscious collection of 1950s illustration by one of the real-life Mad Men

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Date
8 September 2014

It isn’t often that we have a centenarian on the site, so today there’s double cause for celebration because not only is designer Mac Conner 100 years old, he’s also a ruddy legend. Mac spent the 1950s living and working in New York as one of the real-life Mad Men, illustrating for The Saturday Evening Post, Cosmopolitan and Good Housekeeping.

His work is so iconic it’s almost surprising to recall that someone created it; the style is now so ubiquitous and well-known it seems as though it always existed. Sometimes chic, at other times like an illustrated still from a Hitchcock thriller, Mac’s work captures (or did it create?) the mood and look of a decade. Part of Neeley Associates, he worked on advertising for whopping clients like United Airlines, U.S. Army Recruiting, General Motors and Greyhound Lines in those heady whisky-fuelled and Brylcreemed days.

Along with 70 original artworks, The Museum of the City of New York is exhibiting reference photographs, pastel sketches and prints revealing Mac’s creative process and how he collaborated with clients and colleagues. From his early work illustrating wartime Navy training aids, through magazine and advertising artwork to portraiture and childrens’ book designs, the show traces the changing culture of creativity as well as Mac’s long career.

Mac Conner: A New York Life opens at the Museum of the City of New York on 10 September.

A painting of two people standing on a snowy road at night under a full moon. A person in a red coat and light blue skirt looks towards a person wearing a brown checked coat and white gloves. A blue vintage car is parked behind them.
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Mac Conner: Hold On Tight

An illustration of a person with short dark hair, wearing a black veil and a large green ring. They look directly at the viewer with bright blue eyes and red lipstick. In the background, people walk along a city pavement past a red awning.
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Mac Conner: How Do You Love Me

An illustration in blue and cream of a person in a uniform cowering in a room. In the foreground, a large hand holds a smoking gun pointed at them.
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Mac Conner: Killer In The Club

A painting of a person in a blue top and black headpiece looking towards another person with a concerned expression. They sit at an outdoor cafe table with a green bottle and a basket of bread between them.
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Mac Conner: Strictly Respectable

An illustration of people crowded together on a train or bus. Most figures are seen from behind or the side, reading newspapers, while one person in the background smiles.
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Mac Conner: The Girl Who Was Crazy About Jimmy Durante

A comic-style illustration of a person falling backwards down a red-carpeted staircase. To the right, three people watch with expressions of shock and alarm.
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Mac Conner: There Is Death For Rememberance

A painting of a family seen from behind, gathered around a person holding a large open map. Three children and a person in a red and white gingham dress look on against a plain white background.
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Mac Conner: We Won’t Be Any Trouble

A painting of a person with bright red lips and a red headscarf looking through a window. They wear red gloves and press one hand against the glass.
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Mac Conner: Where Is Mary Smith

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Amy Lewin

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