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An illustration of a surreal landscape featuring a procession of figures walking across a wooden bridge. In the background, two pointed mountains sit under a purple sky filled with colourful floating circles. To the right, a large yellow ship named “S.S. SCORA” is docked by the water.

Superbly surreal new show from narrative wizard David Jien

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Date
8 April 2015

“The serpent no longer slumbers! He is awoken! Who shall deliver us from this affliction? Deep corruption has befallen our lands. Lo, Formosa has fallen, Shakran and his black words have immersed deep within our peoples. We have forgotten our ways and are divided, father against son, mother against daughter. The reptilian plague promises pleasure and power. We have lost many kin to its deception, they now fill the ranks of Shakran’s saurian swarm. Those fortunate enough to elude the intoxicating clutch have found refuge under a different regime. Pilgrims have flocked together from all corners of the land in search of a new Formosa, Exodus dawns.”

This is the preamble to David Jien’s latest show, Exodus, that’s currently running at Richard Heller Gallery in Santa Monica, California; the latest addition to David’s ongoing mystic saga that attempts to make sense of the real world through bizarre, beautiful fantasies.

His pencil-drawn narratives are primitive in their origins, focussing on battles between good and evil, darkness and light and the fallout from an ideological war. But his protagonists are lizard-men and purple eggs, giant ducks and badgers in hats, navigating their way through an anachronistic world. Go and see them!

David Jien: Exodus runs until 2 May at Richard Heller Gallery.

An illustration of a colourful, patterned boat sailing on a choppy blue sea under a starry night sky. A figure looks through a telescope from the crow's nest, while another stands on deck beneath a red crescent moon.
Above

David Jien: Ahoy Boys

An illustration of a black, abstract sculpture standing on a white plinth in a minimalist room. The sculpture is composed of sharp, angular lines and rounded forms, resembling a stylised human figure.
Above

David Jien: Artifact 3

An illustration of a surreal bedroom scene. A figure in a bed is pierced through the head by a large metal pipe, while another figure in a top hat blasts a beam of light from their eyes. Shards of red material fly through the air, and a blue creature crawls beneath the floorboards.
Above

David Jien: Bad Boy Coming Thru

An illustration of a surreal landscape with a waterfall and lush greenery. Two figures ride white horses, while another person in a white cloak stands beside a large red lobster.
Above

David JIen: Formosa

An illustration of a surreal scene set in a stone courtyard under a starry night sky and a red crescent moon. A cloaked figure sits on a yellow cushion, while a metallic robot and a blue creature stand nearby.
Above

David Jien: Merciless Moon

A surreal illustration of a white, ghostly face floating through a crumbling stone temple. A person in the top left corner blows a white beam of light that passes through the face. In the foreground, purple figures carry large gold spheres across a tiled floor.
Above

David Jien: Mobb Deep Drop A Gem On Em

An illustration of figures climbing a steep, rocky cliffside to collect glowing blue crystals. One figure reaches for a crystal at the top, while another climbs below them and a third walks along a narrow ledge. Skeletons with backpacks sit among the rocks, suggesting the peril of the journey.
Above

David Jien: Mt Catskills Boon

An illustration of a large, green tree with red polka-dot foliage that resembles a face. Small figures and anthropomorphic objects, including a watering can and a red apple, tend to a garden around the trunk.
Above

David Jien: The Good Earth

An illustration of a surreal scene featuring a figure wrapped in white cloth facing a line of green, reptilian creatures. The figures stand within a yellow glow against a black background, with a single blue teardrop and a green bell floating above. Below the main scene, a sequence of six panels shows the head of a green creature evolving from a jagged, monstrous form into a smooth, rounded face.
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David Jien: Wretch

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About the Author

James Cartwright

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James started out as an intern in 2011 and came back in summer of 2012 to work online and latterly as Print Editor, before leaving in May 2015.

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