Disrupting the art of others, re-contextualising their meaning and “taking contemporary ideas into the past” are all crucial motives behind Chad Wys’ work. These interventions range from the Composite Sculptures and deliberate Works on Paper, to the brilliantly-aesthetic digital Nocturne (pictured), all of which have an immediate effect on our appreciation of the original, thanks to Wys’ own process of elimination. He’s also guest posting this week with a post each day on some of his more contemporary reference points…
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Bryony was It’s Nice That’s first ever intern and worked her way up to assistant online editor before moving on to pursue other interests in the summer of 2012.